Quid molesti*
- Folio
- 106v
- Sequence
- 3
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 004527.
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
106r <
> 107r
Folio: 106v - Feast: Dom. in Palmis
Folio: 106v - Feast:
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Folio: 106r - Feast: Dom. in Palmis
Folio: 106r - Feast:
Display previous chants ▾
| 1 | C V 01 | In qua exaltatus a terra | 600594a |
| 2 | M I | Ipsi vero non cognoverunt | 001092 |
| 3 | M A 1. | Tibi revelavi causam animae | 005149 |
| 4 | M R 1.1 | In die qua invocavi te domine | 006899 |
| 5 | M V 01 | Deus meus eripe me de manu | 006899a |
| 6 | M R 1.2 | Fratres mei elongaverunt a me | 006747 |
| 7 | M V 01 | Amici mei adversum me | 006747a |
Folio: 106v - Feast: Dom. in Palmis
| 1 | M R 1.3 | Attende domine ad me et audi | 006137 |
| 2 | M V 01 | Homo pacis meae in quo | 006137a |
| 3 | M A 2. | Quid molesti* | 004527 |
| 4 | M R 2.1 | Salvum me fac deus quoniam | 007566 |
| 5 | M V 01 | Intende animae meae et libera | 007566a |
Folio: 107r - Feast: Dom. in Palmis
Folio: 107r - Feast:
| 1 | M R 2.2 | Noli esse mihi domine alienus | 007219 |
| 2 | M V 01 | Confundantur omnes inimici | 007219a |
| 3 | M R 2.3 | Dominus mecum est tamquam | 006521 |
| 4 | M V 01 | Et vim faciebant qui | 006521a |
| 5 | M A 3. | Mittens haec mulier* | 003799 |
| 6 | M R 3.1 | Opprobrium factus sum nimis | 007325 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).