Qui das salutem regibus qui
- Folio
- 134r
- Sequence
- 3
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 006419a.
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
133v <
> 134v
Folio: 134r - Feast: Dom. 3 p. Pascha
Folio: 134r - Feast:
Display next chants ▾
Folio: 133v - Feast: Dom. 3 p. Pascha
Folio: 133v - Feast:
Display previous chants ▾
| 1 | M V 01 | Qui timetis dominum laudate | 007194a |
| 2 | M R 3 | In toto corde meo alleluia | 006943 |
| 3 | M V 01 | Vide humilitatem meam et | 006943a |
| 4 | M R 4 | In ecclesiis benedicite deo | 006901 |
| 5 | M V 01 | Cantate domino canticum novum | 006901a |
| 6 | M R 5 | Hymnum cantate nobis alleluia | 006872 |
Folio: 134r - Feast: Dom. 3 p. Pascha
| 1 | M V 01 | Super flumina* | 006872a |
| 2 | M R 6 | Deus canticum novum cantabo | 006419 |
| 3 | M V 01 | Qui das salutem regibus qui | 006419a |
| 4 | M R 7 | Alleluia audivimus eam in | 006069 |
| 5 | M V 01 | Surge domine in requiem tuam | 006069a |
| 6 | M R 8 | Deduc me domine in semita | 006403 |
Folio: 134v - Feast: Dom. 3 p. Pascha
Folio: 134v - Feast:
| 1 | M V 01 | Averte oculos meos ne videant | 006403a |
| 2 | M R 9 | Cantate deo alleluia psalmum | 006268 |
| 3 | M V 01 | Date gloriam laudi ejus | 006268a |
| 4 | M R 10 | Bonum est confiteri domino | 006256 |
| 5 | M V 01 | Ad annuntiandum mane | 006256a |
| 6 | M R 11 | Dicant nunc qui redempti sunt | 006438 |
| 7 | M V 01 | Quos redemit de manu inimici | 006438a |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).