Non vult mortem
- Folio
- 192r
- Sequence
- 5
- Manuscript Reading Full Text (standardized spelling)
- Non vult mortem peccatoris sed ut convertatur et vivat
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 006406a.
Source navigation
CZ-Pu VI.E.4c
CZ-Pu VI.E.4c
191v <
> 192v
Folio: 192r - Feast: Dom. 1 Quadragesimae
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Folio: 191v - Feast: Dom. 1 Quadragesimae
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| 1 | M I | Non sit vobis vanum mane | 001110 |
| 2 | M H | Clarum dec* | 008282 |
| 3 | M A 1.1 | Advenerunt nobis dies | 001294 |
| 4 | M W 1. | Scuto circumdabit te | 008193 |
| 5 | M R 1.1 | Ecce nunc tempus acceptabile | 006600 |
| 6 | M V 01 | In omnibus exhibeamus nosmetipsos sicut | 006600a |
| 7 | M R 1.2 | Paradisi portas aperiat nobis jejunii | 007348 |
Folio: 192r - Feast: Dom. 1 Quadragesimae
| 1 | M V 01 | Ecce nunc tempus acceptabile ecce | 007348a |
| 2 | M R 1.3 | Emendemus in melius quae ignoranter | 006653 |
| 3 | M V 01 | Peccavimus cum patribus nostris injuste | 006653a |
| 4 | M R 1.4 | Derelinquat impius viam suam et | 006406 |
| 5 | M V 01 | Non vult mortem | 006406a |
| 6 | M A 2.1 | Commendemus nosmetipsos in | 001857 |
| 7 | M W 2. | Cadent a latere tuo mille | 007979 |
Folio: 192v - Feast: Dom. 1 Quadragesimae
| 1 | M R 2.1 | In jejunio et fletu orabant | 006910 |
| 2 | M V 01 | Inter vestibulum et altare | 006910a |
| 3 | M R 2.2 | In omnibus exhibeamus nos sicut | 006920 |
| 4 | M V 01 | Ecce nunc tempus acceptabile | 006920a |
| 5 | M R 2.3 | Abscondite eleemosynam in | 006012 |
Provenance: Prague, St. George Monastery
Date: 12th century (2nd half) | 1150-1200
Cursus: Monastic
German - neumatic
Inventoried by:
The inventory for CZ-Pu VI.E.4c was completed by Tereza Seifertová (Charles University, Prague) with proofreading by David Eben.
Date: 12th century (2nd half) | 1150-1200
Cursus: Monastic
German - neumatic
Inventoried by:
-
Tereza Seifertová
Charles University in Prague
The inventory for CZ-Pu VI.E.4c was completed by Tereza Seifertová (Charles University, Prague) with proofreading by David Eben.