Tria sunt munera pretiosa quae obtulerunt magi domino | Cantus Manuscript Database

Tria sunt munera pretiosa quae obtulerunt magi domino

Source
Solesmes, Abbaye de Saint-Pierre, 596 (The Wilton Processional)
Folio
011v
Sequence
1
Feast
Dom. 1 p. Epiphaniam
Office/Mass
X
Genre
R
Position
P
Cantus ID
007777
Mode
1
Manuscript Reading Full Text (standardized spelling)
Tria sunt munera pretiosa quae obtulerunt magi domino in die ista et habent in se divina mysteria in auro ut ostendatur regis potentia in thure sacerdotem magnum considera et in myrrham dominicam sepulturam
Manuscript Reading Full Text (MS spelling)
Tria sunt munera preciosa que optulerunt magi domino in die ista et habent in se divina misteria | in auro ut ostendatur regis potentia in thure sacerdotem magnum considera et in mirram dominicam sepulturam

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F-SO 596
011r <  > 012r
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Folio: 011v - Feast: Dom. 1 p. Epiphaniam
1 X R P Tria sunt munera pretiosa quae obtulerunt magi domino 007777
2 X V 01 Salutis nostrae auctorem magi venerati 007777b
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CANTUS Database
F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Proofreader:
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt