Frange esurienti panem tuum et
- Folio
- 003r
- Sequence
- 4
- Full text as in Source (standardized spelling)
- Frange esurienti panem tuum et egenos vagosque induc in domum tuam tunc erumpet quasi mane lumen tuum et anteibit faciem tuam justitia tua
- Full text as in Source (source spelling)
- Frange esurienti panem tuum et egenos vagosque induc in domum tuam | Tunc erumpet quasi mane lumen tuum et anteibit faciem tuam iusticia tua
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CDN-Ttfl MSS 09700
CDN-Ttfl MSS 09700
002v <
> 003v
Folio: 003r - Feast: Dom. 1 Quadragesimae
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Folio: 002v - Feast: Dom. 1 Quadragesimae
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| 1 | M R 2.2 | Derelinquat impius viam suam et | 006406 |
| 2 | M V 01 | Non vult dominus mortem peccatoris | 006406a |
| 3 | M R 2.3 | Paradisi portas aperuit nobis jejunii | 007348 |
| 4 | M V 01 | In omnibus exhibeamus nosmetipsos sicut | 007348d |
Folio: 003r - Feast: Dom. 1 Quadragesimae
| 1 | M W 3. | Scuto circumdabit te veritas ejus | 008193 |
| 2 | M R 3.1 | Scindite corda vestra et non | 007626 |
| 3 | M V 01 | Derelinquat impius viam suam et | 007626za |
| 4 | M R 3.2 | Frange esurienti panem tuum et | 006744 |
| 5 | M V 01 | Cum videris nudum operi eum | 006744a |
Folio: 003v - Feast: Dom. 1 Quadragesimae
| 1 | M R 3.3 | Angelis suis mandavit de te | 006087 |
| 2 | M V 01 | Super aspidem et basiliscum ambulabis | 006087a |
| 3 | M R 10 | Abscondite eleemosynam in sinu pauperum | 006012 |
| 4 | M V 01 | Date eleemosynam et ecce omnia | 006012b |
Provenance: Firenze
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
-
Manuel Piazza
University of Toronto / Yale Institute of Sacred Music
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator