Sebastianus dei cultor
- Folio
- 152v
- Sequence
- 1
- Full text as in Source (standardized spelling)
- Sebastianus dei cultor studiose curabat sub absconso clamide sanctorum animas confortare spem promittens et gloriam consequi sempiternam
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PL-KIk Ms. 1
PL-KIk Ms. 1
152r <
> 153r
Folio: 152v - Feast: Fabiani, Sebastiani
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Folio: 152r - Feast: Fabiani, Sebastiani
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1 | V W | Laetamini in domino et* | 008120 |
2 | V A M | Elegit dominus virum de plebe | 002628 |
3 | M I | Regem martyrum* | 001137 |
4 | M H | Sanctorum meritis inclyta | 008390 |
5 | M A 1.1 | Sebastianus Mediolanensium | 004843 |
6 | M A 1.2 | Erat enim in sermone verax | 002653 |
7 | M A 1.3 | Christo cottidie sedulum | 001789 |
8 | M W 1. | Laetamini in domino* | 008120 |
Folio: 152v - Feast: Fabiani, Sebastiani
1 | M R 1.1 | Sebastianus dei cultor | 007631 |
2 | M V 01 | Christo cottidie sedulum | 007631d |
3 | M R 1.2 | Sebastianus vir | 007633 |
4 | M V 01 | Quem perfuderat deus gratia | 007633a |
5 | M R 1.3 | Erat namque in sermone verax | 006663 |
6 | M V 01 | In commisso quoque fidelis in | 006663a |
7 | M A 2.1 | Ad hoc tantum sub chlamyde | 001245 |
8 | M A 2.2 | Clarissimus cottidie viris | 001827 |
Folio: 153r - Feast: Fabiani, Sebastiani
1 | M A 2.3 | Sebastianus vir | 004844 |
2 | M W 2. | Exsultent justi in conspectu* | 008070 |
3 | M R 2.1 | Christo cottidie sedulum | 006279 |
4 | M V 01 | Ad hoc tantum sub chlamyde | 006279a |
5 | M R 2.2 | Zoe uxor Nicostrati dixit | 007922 |
6 | M V 01 | Benedicti qui in omnibus quae | 007922a |
7 | M R 2.3 | Egregie dei martyr Sebastiane | 006643 |
Provenance: Kielce
Date: 14th century (1350-1375) | 1372
Cursus: Secular
Inventoried by:
The inventory for PL-KIk 1 was prepared by Bartosz Izbicki (Institute of Art of the Polish Academy of Sciences), with editorial assistance from Debra Lacoste (University of Waterloo, Ontario).
Date: 14th century (1350-1375) | 1372
Cursus: Secular
Inventoried by:
-
Bartosz Izbicki
The Institute of Art of the Polish Academy of Sciences
The inventory for PL-KIk 1 was prepared by Bartosz Izbicki (Institute of Art of the Polish Academy of Sciences), with editorial assistance from Debra Lacoste (University of Waterloo, Ontario).