Si tu scire vis quidnam

Source
Solesmes, Abbaye de Saint-Pierre, 596 ("The Wilton Processional")
Folio
063v
Sequence
1
Feast
Dom. Resurrectionis
Service
X
Genre
D
Cantus ID
a01514
Mode
?
Full text as in Source (standardized spelling)
Si tu scire vis quidnam ego sum Jesus vocitor dei sum unicus filius tuum agnosce deum redemptorem | Tu es Maria quam ego amo meos omnium tibi primo cupio visus monstrare novum ut tuum inde sit laudabile cum gloria per saecula
Full text as in Source (source spelling)
Si tu scire vis quidnam ego sum ihesus vocitor dei sum unicus filius tuum agnosce deum redemptorem | Tu es maria quam ego amo meos omnium tibi primo cupio visus monstrare novum ut tuum inde sit laudabile cum gloria per secula
Indexing Notes
Interim prostrat se coram monumento. Angelus.

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Record contributed by: Alison Altstatt, 1 August 2017
Last modified by: Alessandra Ignesti, 17 May 2021

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F-SO 596
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Folio: 063v - Feast: Dom. Resurrectionis
1 X D Si tu scire vis quidnam a01514
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F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Full texts entered by: Proofreader: Additional editor:
  • Debra Lacoste
    The University of Western Ontario; The University of Waterloo; Dalhousie University
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt