Salva me ex ore leonis
- Folio
- 047r
- Sequence
- 1
- Full text as in Source (standardized spelling)
- Salva me ex ore leonis et a cornibus unicorniorum humilitatem meam
- Full text as in Source (source spelling)
- Salva me ex ore leonis et a cornibus unicorniorum humilitatem meam | Quoniam
Concordances
Loading concordances... Display the concordances connected with this chantMelodies
Loading melodies... Display the melodies connected with this chant
Source navigation
CDN-Ttfl MSS 09700
CDN-Ttfl MSS 09700
046v <
> 047v
Folio: 047r - Feast: Dom. de Passione
Display next chants ▾
Folio: 046v - Feast: Dom. de Passione
Display previous chants ▾
| 1 | M V 01 | [Qui] tribulant me exsultabunt [si] | 007811a |
| 2 | M W 2. | De ore leonis libera [me | 008005 |
| 3 | M R 2.1 | Deus meus es tu ne | 006428 |
| 4 | M V 01 | Tu autem domine ne elongaveris | 006428c |
| 5 | M R 2.2 | In te jactatus sum ex | 006491 |
Folio: 047r - Feast: Dom. de Passione
| 1 | M V 01 | Salva me ex ore leonis | 006491b |
| 2 | M R 2.3 | In proximo est tribulatio mea | 006931 |
| 3 | M V 01 | Erue a framea deus animam | 006931b |
| 4 | M W 3. | Ne perdas cum impiis deus | 008146 |
| 5 | M R 3.1 | Tota die contristatus ingrediebar domine | 007771 |
Folio: 047v - Feast: Dom. de Passione
| 1 | M V 01 | Amici mei et proximi mei | 007771b |
| 2 | M R 3.2 | Ne avertas faciem tuam a | 007203 |
| 3 | M V 01 | Intende animae meae et libera | 007203b |
| 4 | M R 3.3 | Quis dabit capiti meo aquam | 007497 |
Provenance: Firenze
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
-
Manuel Piazza
University of Toronto / Yale Institute of Sacred Music
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator