Attendite universi populi et videte
- Folio
- 098r
- Sequence
- 2
- Full text as in Source (standardized spelling)
- Attendite universi populi et videte dolorem meum
- Full text as in Source (source spelling)
- Attendite universi populi et videte dolorem meum | Si
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CDN-Ttfl MSS 09700
CDN-Ttfl MSS 09700
097v <
> 098v
Folio: 098r - Feast: Sabbato Sancto
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Folio: 097v - Feast: Sabbato Sancto
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| 1 | M A 2.1 | Elevamini portae aeternales et introibit | 002631 |
| 2 | M A 2.2 | Credo videre bona domini in | 001948 |
| 3 | M A 2.3 | Domine abstraxisti ab inferis animam | 002325 |
| 4 | M W 2. | Tu autem domine miserere mei | 008225 |
| 5 | M R 2.1 | Recessit pastor noster fons aquae | 007509 |
| 6 | M V 01 | Destruxit quidem claustra inferni et | 007509b |
Folio: 098r - Feast: Sabbato Sancto
| 1 | M R 2.2 | O vos omnes qui transitis | 007303 |
| 2 | M V 01 | Attendite universi populi et videte | 007303a |
| 3 | M R 2.3 | Ecce quomodo moritur justus et | 006605 |
| 4 | M V 01 | Tamquam agnus coram tondente se | 006605b |
Folio: 098v - Feast: Sabbato Sancto
| 1 | M A 3.1 | Deus adjuvat me et dominus | 002165 |
| 2 | M A 3.2 | In pace factus est locus | 003264 |
| 3 | M A 3.3 | Factus sum sicut homo sine | 002849 |
| 4 | M W 3. | In pace factus est locus | 008098 |
| 5 | M R 3.1 | Astiterunt reges terrae et principes | 600155 |
| 6 | M V 01 | Quare fremuerunt gentes et populi | 600155a |
| 7 | M R 3.2 | Aestimatus sum cum descendentibus in | 006057 |
Provenance: Firenze
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
-
Manuel Piazza
University of Toronto / Yale Institute of Sacred Music
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator