Vidi Jerusalem descendentem de caelo
- Folio
- 138r
- Sequence
- 1
- Full text as in Source (standardized spelling)
- Vidi Jerusalem descendentem de caelo ornatam auro mundo et lapidibus pretiosis intextam alleluia alleluia
- Full text as in Source (source spelling)
- Vidi ierusalem descendentem de celo ornatam auro mundo et lapidibus preciosis intextam | Alleluya alleluya
- Image link
- https://collections.library.utoronto.ca/view/fisher2:F6521_0138-recto
Concordances
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CDN-Ttfl MSS 09700
CDN-Ttfl MSS 09700
137v <
> 138v
Display facsimile (138r)
Folio: 138r - Feast: Dom. 2 p. Pascha
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Folio: 137v - Feast: Dom. 2 p. Pascha
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| 1 | M R 8 | Vidi portam civitatis ad orientem | 007877 |
| 2 | M V 01 | Vidi caelum novum et terram | 007877b |
| 3 | M V 02 | Gloria* | 909000 |
| 4 | M R 9 | Ostendit mihi angelus fontem aquae | 007344 |
| 5 | M V 01 | Postquam audissem et vidissem cecidi | 007344b |
Folio: 138r - Feast: Dom. 2 p. Pascha
| 1 | M R 10 | Vidi Jerusalem descendentem de caelo | 007876 |
| 2 | M V 01 | Et erat structura muri ejus | 007876b |
| 3 | M R 11 | In diademate capitis Aaron lapides | 006898 |
| 4 | M V 01 | In veste enim poderis quam | 006898b |
Folio: 138v - Feast: Dom. 2 p. Pascha
| 1 | M R 12 | Plateae tuae Jerusalem sternentur auro | 007390 |
| 2 | M V 01 | Luce splendida fulgebis et omnes | 007390b |
| 3 | L A | Alleluia* | 001335 |
| 4 | L A B | Ego sum pastor ovium* | 002598 |
| 5 | V2 A M | Ego sum pastor bonus qui | 002597 |
Provenance: Firenze
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator
Date: 15th century (1st half) | c. 1400
Cursus: Secular
Inventoried by:
-
Manuel Piazza
University of Toronto / Yale Institute of Sacred Music
CDN-Ttfl MSS 09700 was inventoried by Manuel Piazza (University of Toronto, later Yale Institute of Sacred Music) with proofreading by Andrea Klassen (to folio 37) and Alessandra Ignesti, both working as Research Assistants at Dalhousie University.
Contributor: CANTUS Database Administrator