Adjuvabit eam deus*
- Folio
- 168r
- Sequence
- 2
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 007934.
Source navigation
PL-KIk Ms. 1
PL-KIk Ms. 1
167v <
> 168v
Folio: 168r - Feast: Agathae
Folio: 168r - Feast:
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Folio: 167v - Feast: Agathae
Folio: 167v - Feast:
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| 1 | M V 01 | Vidisti domine agonem meum | 006990a |
| 2 | M R 2.2 | Agatha laetissima et | 006061 |
| 3 | M V 01 | Mens mea solidata est et a | 006061a |
| 4 | M R 2.3 | Ego autem adjuta a domino | 006625 |
| 5 | M V 01 | Gratias tibi ago domine Jesu | 006625a |
| 6 | M A 3.1 | Nisi diligenter perfeceris | 003881 |
| 7 | M A 3.2 | Vidisti domine agonem meum | 005412 |
Folio: 168r - Feast: Agathae
| 1 | M A 3.3 | Propter fidem castitatis | 004396 |
| 2 | M W 3. | Adjuvabit eam deus* | 007934 |
| 3 | M R 3.1 | Qui me dignatus est ab omni | 007479 |
| 4 | M V 01 | Medicinam carnalem corpori | 007479a |
| 5 | M R 3.2 | Beata Agatha ingressa | 006160 |
| 6 | M V 01 | Domine qui me creasti et | 006160b |
| 7 | M R 3.3 | Gaudeamus omnes in domino | 006760 |
Folio: 168v - Feast: Agathae
Folio: 168v - Feast:
| 1 | M V 01 | Immaculatus dominus | 006760a |
| 2 | M W | Audi filia et vide* | 007955 |
| 3 | L A 1 | Quis es tu qui venisti | 004547 |
| 4 | L A 2 | Medicinam carnalem corpori | 003733 |
| 5 | L A 3 | Gracias tibi ago domine quia | 002975 |
| 6 | L A 4 | Benedico te pater domini mei | 001702 |
| 7 | L A 5 | Qui me dignatus est ab | 004480 |
| 8 | L H | Unde nec* | 008411b |
| 9 | L W | Audi filia* | 007955 |
| 10 | L A B | Paganorum multitudo fugiens | 004208 |
Provenance: Kielce
Date: 14th century (1350-1375) | 1372
Cursus: Secular
Inventoried by:
The inventory for PL-KIk 1 was prepared by Bartosz Izbicki (Institute of Art of the Polish Academy of Sciences), with editorial assistance from Debra Lacoste (University of Waterloo, Ontario).
Date: 14th century (1350-1375) | 1372
Cursus: Secular
Inventoried by:
-
Bartosz Izbicki
The Institute of Art of the Polish Academy of Sciences
The inventory for PL-KIk 1 was prepared by Bartosz Izbicki (Institute of Art of the Polish Academy of Sciences), with editorial assistance from Debra Lacoste (University of Waterloo, Ontario).