Eripe me domine ab homine
- Folio
- 102v
- Sequence
- 2
Concordances
Loading concordances... Display the concordances connected with this chantMelodies
Loading melodies... Display the melodies connected with this chant
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
102r <
> 103r
Folio: 102v - Feast: Dom. de Passione
Display next chants ▾
Folio: 102r - Feast: Dom. de Passione
Display previous chants ▾
1 | M V 01 | Eripe me de inimicis meis | 006427a |
2 | M R 3.2 | In proximo est tribulatio mea | 006931 |
3 | M V 01 | Deus deus meus respice in me | 006931a |
4 | M R 3.3 | In te jactatus sum ex utero | 006941 |
5 | M V 01 | Erue a framea deus animam | 006941a |
Folio: 102v - Feast: Dom. de Passione
1 | M R 10 | Ne avertas faciem tuam a | 007203 |
2 | M V 01 | Eripe me domine ab homine | 007203a |
3 | M R 11 | Pacifice loquebantur mihi | 007346 |
4 | M V 01 | Omnes inimici mei adversum me | 007346a |
5 | M R 12 | Doceam iniquos vias tuas et | 006480 |
Folio: 103r - Feast: Dom. de Passione
1 | M V 01 | Domine labia mea aperies et | 006480a |
2 | M W | Eripe me de inimicis meis | 008053 |
3 | L A 1 | Vide domine afflictionem meam | 005378 |
4 | L A 2 | In tribulatione invocavi | 003297 |
5 | L A 3 | Judicasti domine causam | 003518 |
6 | L A 4 | Popule meus quid feci tibi | 004312 |
7 | L A 5 | Numquid redditur pro bono | 003972 |
8 | L H | Rex Christe factor omnium* | 008384 |
9 | L W | Eripe me de inimicis* | 008053 |
10 | L A B | Dixit Jesus turbis quis ex | 002303 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).