Cumque audissent quia Jesus
- Folio
- 108r
- Sequence
- 3
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 006961a.
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
107v <
> 108v
Folio: 108r - Feast: Dom. in Palmis
Folio: 108r - Feast:
Display next chants ▾
Folio: 107v - Feast: Dom. in Palmis
Folio: 107v - Feast:
Display previous chants ▾
| 1 | M V 01 | Persequar inimicos meos et | 007325a |
| 2 | M R 3.2 | Deus Israel propter te | 006425 |
| 3 | M V 01 | Deus deus meus respice in me | 006425a |
| 4 | M R 3.3 | Synagoga populorum | 007747 |
Folio: 108r - Feast: Dom. in Palmis
| 1 | M V 01 | Tu autem domine susceptor | 007747a |
| 2 | M R 10 | Ingrediente domino in sanctam | 006961 |
| 3 | M V 01 | Cumque audissent quia Jesus | 006961a |
| 4 | L A 1 | Dominus deus auxiliator meus | 002405 |
| 5 | L A 2 | Circumdantes circumdederunt | 001809 |
| 6 | L A 3 | Judica causam meam defende | 003515 |
Folio: 108v - Feast: Dom. in Palmis
Folio: 108v - Feast: Fer. 2 Maj. Hebd.
Folio: 108v - Feast:
| 1 | L A 4 | Cum angelis et pueris fideles | 001974 |
| 2 | L A 5 | Confundantur qui me | 001884 |
| 3 | L A B | Turba multa quae convenerat | 005256 |
| 4 | P A | Libera me domine* | 003617 |
| 5 | V2 A M | Scriptum est enim percutiam | 004835 |
| 6 | M I | Ubi tentaverunt me patres | 001168 |
| 7 | M R 1 | Attende domine* | 006137 |
| 8 | M R 2 | Noli esse mihi* | 007219 |
| 9 | M R 3 | Conclusit vias meas inimicus | 006306 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).