Ascendo ad patrem*
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- L
- Folio
- 138v
- Sequence
- 5
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SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
138r <
> 139r
Folio: 138v - Feast: Ascensio Domini
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Folio: 138r - Feast: Ascensio Domini
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| 1 | M V 01 | Nisi ego abiero paraclitus | 007225a |
| 2 | M R 2.2 | Ascendens in altum alleluia | 006121 |
| 3 | M V 01 | Ascendit deus in jubilatione | 006121a |
| 4 | M R 2.3 | Tempus est ut revertar ad eum | 007758 |
Folio: 138v - Feast: Ascensio Domini
| 1 | M V 01 | Nisi ego abiero paraclitus | 007758a |
| 2 | M A 3.1 | Nimis exaltatus es alleluia | 003879 |
| 3 | M A 3.2 | Dominus in Sion alleluia | 002409 |
| 4 | M A 3.3 | Dominus in caelo alleluia | 002408 |
| 5 | M W 3. | Ascendo ad patrem* | 007954 |
| 6 | M R 3.1 | Non turbetur cor vestrum ego | 007226 |
| 7 | M V 01 | Nisi ego* | 007226a |
| 8 | M R 3.2 | Ponis nubem ascensum tuum | 007392 |
| 9 | M V 01 | Qui facis angelos tuos | 007392a |
Folio: 139r - Feast: Ascensio Domini
| 1 | M R 3.3 | Ite in orbem universum et | 007028 |
| 2 | M V 01 | In nomine patris et filii et | 007028a |
| 3 | M W | Dominus in caelo | 008029 |
| 4 | L A 1 | Viri Galilaei quid aspicitis | 005458 |
| 5 | L A 2 | Cumque intuerentur in caelum | 002063 |
| 6 | L A 3 | Elevatis manibus ferebatur in | 002635 |
| 7 | L A 4 | Exaltate regem regum et | 002764 |
| 8 | L A 5 | Videntibus illis elevatus est | 005392 |
| 9 | L W | Dominus in caelo | 008029 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).