Alleluia regem archangelorum
- Folio
- 203r
- Sequence
- 1
- Differentia
- 5
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 100049.
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
202v <
> 203v
Folio: 203r - Feast: Michaelis
Folio: 203r - Feast:
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Folio: 202v - Feast: Joannis Port. Lat.
Folio: 202v - Feast: Michaelis
Folio: 202v - Feast:
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| 1 | V V 01 | Victo senatu cum Caesare | 007921a |
| 2 | V V 02 | Gloria patri et filio et | 909000 |
| 3 | V A M | Valde honorandus est beatus | 005309 |
| 4 | V R | Te sanctum dominum in | 007757 |
| 5 | V V 01 | Cherubim quoque et seraphim | 007757a |
| 6 | V V 02 | Gloria patri et filio et | 909000 |
| 7 | V H | Vita sanctorum* | 008412 |
| 8 | V W | Stetit angelus juxta aram | 008208 |
| 9 | V A M | Dum sacrum mysterium cerneret | 002469 |
Folio: 203r - Feast: Michaelis
| 1 | M I | Alleluia regem archangelorum | 100049 |
| 2 | M A 1. | Introibo in domum tuam domine | 003389 |
| 3 | M W 1. | Stetit angelus juxta* | 008208 |
| 4 | M R 1.1 | Factum est silentium in caelo | 006715 |
| 5 | M V 01 | Milia milium ministrabant ei | 006715a |
| 6 | M R 1.2 | Stetit angelus juxta aram | 007707 |
Folio: 203v - Feast: Michaelis
Folio: 203v - Feast:
| 1 | M V 01 | In conspectu angelorum | 007707a |
| 2 | M R 1.3 | In conspectu gentium nolite | 006895 |
| 3 | M V 01 | Cantate domino canticum novum | 006895b |
| 4 | M A 2. | Ascendit fumus aromatum in conspectu | 001491 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).