Hic est Michael archangelus
- Folio
- 204v
- Sequence
- 1
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 007834b.
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
204r <
> 205r
Folio: 204v - Feast: Michaelis
Folio: 204v - Feast:
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Folio: 204r - Feast: Michaelis
Folio: 204r - Feast:
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| 1 | M W 2. | In conspectu angelorum* | 008092 |
| 2 | M R 2.1 | In conspectu angelorum | 006894 |
| 3 | M V 01 | Super misericordia tua et | 006894a |
| 4 | M R 2.2 | Hic est Michael archangelus | 006826 |
| 5 | M V 01 | Michael praepositus paradisi | 006826b |
| 6 | M R 2.3 | Venit Michael archangelus cum | 007834 |
Folio: 204v - Feast: Michaelis
| 1 | M V 01 | Hic est Michael archangelus | 007834b |
| 2 | M A 3. | Concussum est mare et | 001864 |
| 3 | M W 3. | Ascendit fumus aromatum | 007953 |
| 4 | M R 3.1 | In tempore illo consurget | 006942 |
| 5 | M V 01 | In tempore illo salvabitur | 006942a |
| 6 | M R 3.2 | Fidelis sermo et omni | 006733 |
Folio: 205r - Feast: Michaelis
Folio: 205r - Feast:
| 1 | M V 01 | Cum proeliaretur Michael | 006733za |
| 2 | M R 3.3 | Te sanctum dominum* | 007757 |
| 3 | L A 1 | Dum proeliaretur Michael | 002465 |
| 4 | L A 2 | Dum committeret bellum draco | 002440 |
| 5 | L A 3 | Archangele Michael constitui | 001474 |
| 6 | L A 4 | Angeli domini dominum | 001399 |
| 7 | L A 5 | Angeli archangeli throni et | 001398 |
| 8 | L W | Adorate dominum | 007937 |
| 9 | L A B | Factum est silentium in caelo | 002843 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).