In sublimi stans erecta in
- Folio
- 199v
- Sequence
- 3
- Manuscript Reading Full Text (standardized spelling)
- In sublimi stans erecta in caelum tendit via recta velut fumi virgula
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PL-WRu R 503
PL-WRu R 503
199r <
> 200r
Folio: 199v - Feast: Hedwigis
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Folio: 199r - Feast: Hedwigis
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| 1 | M I | Laudemus in saecula regem saeculorum | |
| 2 | M A 1.1 | Biduano jejunio carne macerata mittebat | |
| 3 | M A 1.2 | Nil relinquens praeter victum ex | |
| 4 | M A 1.3 | Gaudebat dapis munere egenos reficere | |
| 5 | M W 1. | Diffusa est* | 008014 |
| 6 | M R 1.1 | Beata Hedwigis stirpe nobilis omnibusque | |
| 7 | M V 01 | Christo fuit amabilis ad omne | |
| 8 | M R 1.2 | Manum mittit ad fortia virtutum |
Folio: 199v - Feast: Hedwigis
| 1 | M V 01 | Clam intrat domicilia dans infirmis | |
| 2 | M R 1.3 | Margarita solo tecta quondam vilis | |
| 3 | M V 01 | In sublimi stans erecta in | |
| 4 | M V 02 | Gloria patri et filio et | 909000 |
| 5 | M A 2.1 | Nivis in algoribus incedens nudis | |
| 6 | M A 2.2 | Mutato vultus pallio clam carceres | |
| 7 | M A 2.3 | Circuibat sedula cellas dominarum ut |
Folio: 200r - Feast: Hedwigis
| 1 | M R 2.1 | Quae dum oraret sedula lumen | |
| 2 | M V 01 | En inquiunt post obitus diem | |
| 3 | M R 2.2 | O vitis cypri nobilis ferendo | |
| 4 | M V 01 | Ut expiati sordibus adornemur virtutibus | |
| 5 | M R 2.3 | Egypti nuda pallio ornata cultu | |
| 6 | M V 01 | Hedwigis tradens spiritum felicem agens | |
| 7 | M V 02 | Gloria patri et filio et | 909000 |
| 8 | M A 3.1 | Dictis evangelicis aurem impendebat quotquot |
Provenance: Wrocław
Date: 14th century (2nd half) | 1350+
Cursus: Secular
Inventoried by:
The inventory for PL-WRu R 503 was prepared by Bartosz Izbicki (The Institute of Art of the Polish Academy of Sciences), with editorial assistance from Barbara Swanson (University of Waterloo).
Date: 14th century (2nd half) | 1350+
Cursus: Secular
Inventoried by:
-
Bartosz Izbicki
The Institute of Art of the Polish Academy of Sciences
The inventory for PL-WRu R 503 was prepared by Bartosz Izbicki (The Institute of Art of the Polish Academy of Sciences), with editorial assistance from Barbara Swanson (University of Waterloo).