Hedwigis tradens spiritum felicem agens
- Folio
- 200r
- Sequence
- 6
- Manuscript Reading Full Text (standardized spelling)
- Hedwigis tradens spiritum felicem agens exitum de terra Babylonis
Source navigation
PL-WRu R 503
PL-WRu R 503
199v <
> 200v
Folio: 200r - Feast: Hedwigis
Display next chants ▾
Folio: 199v - Feast: Hedwigis
Display previous chants ▾
| 1 | M V 01 | Clam intrat domicilia dans infirmis | |
| 2 | M R 1.3 | Margarita solo tecta quondam vilis | |
| 3 | M V 01 | In sublimi stans erecta in | |
| 4 | M V 02 | Gloria patri et filio et | 909000 |
| 5 | M A 2.1 | Nivis in algoribus incedens nudis | |
| 6 | M A 2.2 | Mutato vultus pallio clam carceres | |
| 7 | M A 2.3 | Circuibat sedula cellas dominarum ut |
Folio: 200r - Feast: Hedwigis
| 1 | M R 2.1 | Quae dum oraret sedula lumen | |
| 2 | M V 01 | En inquiunt post obitus diem | |
| 3 | M R 2.2 | O vitis cypri nobilis ferendo | |
| 4 | M V 01 | Ut expiati sordibus adornemur virtutibus | |
| 5 | M R 2.3 | Egypti nuda pallio ornata cultu | |
| 6 | M V 01 | Hedwigis tradens spiritum felicem agens | |
| 7 | M V 02 | Gloria patri et filio et | 909000 |
| 8 | M A 3.1 | Dictis evangelicis aurem impendebat quotquot |
Folio: 200v - Feast: Hedwigis
| 1 | M A 3.2 | Cum se judex poneret causas | |
| 2 | M A 3.3 | Hedwigis sancta inclita nos serves | |
| 3 | M R 3.1 | O quam felix Hedwigis quae | |
| 4 | M V 01 | Signum crucis mente gerens siti | |
| 5 | M R 3.2 | Haec in carne generosa mortis | |
| 6 | M V 01 | Manus ejus operosa caelum sibi | |
| 7 | M R 3.3 | Sancta Hedwigis inclita quae fuit |
Provenance: Wrocław
Date: 14th century (2nd half) | 1350+
Cursus: Secular
Inventoried by:
The inventory for PL-WRu R 503 was prepared by Bartosz Izbicki (The Institute of Art of the Polish Academy of Sciences), with editorial assistance from Barbara Swanson (University of Waterloo).
Date: 14th century (2nd half) | 1350+
Cursus: Secular
Inventoried by:
-
Bartosz Izbicki
The Institute of Art of the Polish Academy of Sciences
The inventory for PL-WRu R 503 was prepared by Bartosz Izbicki (The Institute of Art of the Polish Academy of Sciences), with editorial assistance from Barbara Swanson (University of Waterloo).