O Maria Jesse virga caeli

Source
Solesmes, Abbaye de Saint-Pierre, 596 ("The Wilton Processional")
Folio
013r
Sequence
3
Feast
Dom. 3 p. Epiph.
Service
X
Genre
A
Cantus ID
a00231.1
Mode
8
Full text as in Source (standardized spelling)
O Maria Jesse virga caeli regina maris stella plenitudo temporis ecce jam venit jam prolem aeterni fructus protulisti ergo precamur o domina ut qui te meruimus confiteri Christi matrem sentiamus te piam et singularis meriti hunc nobis tu facias placabilem et dies istos tuae sanctae virginitatis partui dicatos bene nobis ipse propter te o benignissima disponat quo temporalis sollemnitas nos ad aeternam enutriat laetitiam alleluia
Full text as in Source (source spelling)
O maria iesse virga celi regina maris stella plenitudo temporis ecce iam venit jam prolem eterni fructus protulisti ergo precamur o domina ut qui te meruimus confiteri xpisti matrem sentiamus te piam et singularis meriti hunc nobis tu facias placabilem et dies istos tue sancte virginitatis partui dicatos bene nobis ipse propter te o benignissima disponat quo temporalis sollempnitas nos ad eternam enutriat leticiam alleluya
Indexing Notes
Dominica secunda Domine ne in ira

List of concordances

For concordances, please consult the Cantus Index entry for Cantus ID a00231.1.

List of melodies

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Source navigation
F-SO 596
012v <  > 013v
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Folio: 013r - Feast: Dom. 2 p. Epiph.
1 X A 1P O mundi* 004048
2 X A 2P Genuit puerpera* 002938
Folio: 013r - Feast: Dom. 3 p. Epiph.
3 X A O Maria Jesse virga caeli a00231.1
Folio: 013r - Feast:
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CANTUS Database
F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Proofreader:
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt