O Maria Magdalena sume laudes

Source
Solesmes, Abbaye de Saint-Pierre, 596 ("The Wilton Processional")
Folio
127r
Sequence
1
Feast
Mariae Magdalenae
Service
X
Genre
Tp
Cantus ID
007269.Tp1
Mode
1
Full text as in Source (standardized spelling)
O Maria Magdalena sume laudes lauda plena | Sume preces sume vota quae profundit plebs devota | Quae figurant vitia septem cardinalia | Exarserunt lacrima rei cordis intima | Tibi natatoria Christi sunt vestigia | Excelsum mundantia Helisei gratia | Ergo felix domina nostra terge crimina | Stella maris altera cura plebis ulcera | Nos tua clementia Christo reconcilia
Full text as in Source (source spelling)
O maria magdalena sume laudes lauda plena | Sume preces sume vota que profundit plebs devota | Que figurant vicia septem cardinalia | Exarserunt lacrima rei cordis intima | Tibi natatoria xpisti sunt vestigia | Excelsum mundantia helisei gracia | Ergo felix domina nostra terge crimina | Stella maris altera cura plebis ulcera | Nos tua clementia xpisto reconcilia | Ex quo
Indexing Notes
Prosa dicitur in stationem. Ad altare sanctae Mariae Magdalene. Ad ipsum altare.

List of concordances

For concordances, please consult the Cantus Index entry for Cantus ID 007269.Tp1.

List of melodies

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F-SO 596
126v <  > 127v
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Folio: 127r - Feast: Mariae Magdalenae
1 X Tp O Maria Magdalena sume laudes 007269.Tp1
Folio: 127r - Feast:
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CANTUS Database
F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Proofreader:
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt