Rogamus te domine deus noster

Source
Solesmes, Abbaye de Saint-Pierre, 596 ("The Wilton Processional")
Folio
149r
Sequence
1
Feast
Pro defunctis
Service
X
Genre
R
Cantus ID
007548
Mode
1
Full text as in Source (standardized spelling)
Rogamus te domine deus noster ut suscipias animas omnium fidelium defunctorum pro quibus sanguinem tuum fudisti recordare quia pulvis sumus et homo sicut foenun et flos agri
Full text as in Source (source spelling)
Rogamus te domine deus noster ut suscipias animas omnium fidelium defunctorum pro quibus sanguinem tuum fudisti | recordare quia pulvis sumus et homo sicut fenun et flos agri

List of concordances

For concordances, please consult the Cantus Index entry for Cantus ID 007548.

List of melodies

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Source navigation
F-SO 596
148v <  > 149v
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Folio: 149r - Feast: Omnium Sanctorum
3 X R Absolve domine animas eorum ab 600017
Folio: 149r - Feast: Pro defunctis
1 X R Rogamus te domine deus noster 007548
2 X V 01 Misericors et miserator et juste 007548a
Folio: 149r - Feast:
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CANTUS Database
F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Proofreader:
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt