Quia viderunt oculi mei salutare

Source
Solesmes, Abbaye de Saint-Pierre, 596 ("The Wilton Processional")
Folio
016v
Sequence
3
Feast
Purificatio Mariae
Service
X
Genre
AV
Position
02
Cantus ID
003645e
Mode
8
Full text as in Source (standardized spelling)
Quia viderunt oculi mei salutare tuum
Full text as in Source (source spelling)
Quia viderunt oculi mei et salutare tuum | Lumen
Image link
https://exhibits.library.stonybrook.edu/s/ege/item/5826

Concordances

Loading concordances... Display the concordances connected with this chant

Melodies

Loading melodies... Display the melodies connected with this chant
Source navigation
F-SO 596
016r <  > 017r Display facsimile (016v)
Display previous chants ▾
Folio: 016v - Feast: Purificatio Mariae
1 X A Lumen ad revelationem gentium et 003645
2 X AV 01 Nunc dimittis servum tuum domine 003645d
3 X AV 02 Quia viderunt oculi mei salutare 003645e
4 X AV 03 Quod parasti ante faciem omnium 003645f
5 X A P Ave gratia plena dei genetrix 200456
Display next chants ▾
CANTUS Database
F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Proofreader:
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt