Qui operatus est Petro in
- Folio
- 167v
- Sequence
- 3
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 007480.
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
167r <
> 168r
Folio: 167v - Feast: Conversio Pauli
Folio: 167v - Feast:
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Folio: 167r - Feast: Conversio Pauli
Folio: 167r - Feast:
Display previous chants ▾
| 1 | V A p | Sancte Paule apostole praedi- | 004720 |
| 2 | V R | Magnus sanctus Paulus* | 007123 |
| 3 | V H | Doctor egregie* | 008268:04 |
| 4 | V W | In omnem terram exivit* | 008097 |
| 5 | V A M | O gloriosum lumen omnium | 004030 |
| 6 | C H | Doctor egregie* | 008268:04 |
| 7 | C A N | Damasci praepositus* | 002096 |
| 8 | M A 1.1 | Qui operatus est Petro in | 004489 |
Folio: 167v - Feast: Conversio Pauli
| 1 | M A 1.2 | Scio cui credidi et certus | 004831 |
| 2 | M A 1.3 | Mihi vivere Christus est et | 003759 |
| 3 | M R 1.1 | Qui operatus est Petro in | 007480 |
| 4 | M V 01 | Gratia dei in me vacua non | 007480a |
| 5 | M R 1.2 | Scio cui credidi et certus | 007628 |
Folio: 168r - Feast: Conversio Pauli
Folio: 168r - Feast:
| 1 | M V 01 | Reposita est mihi corona | 007628a |
| 2 | M R 1.3 | Bonum certamen certavi cursum | 006255 |
| 3 | M V 01 | Scio cui credidi et certus | 006255a |
| 4 | M A 2.1 | Tu es vas electionis sancte | 005211 |
| 5 | M A 2.2 | Magnus sanctus Paulus vas | 003683 |
| 6 | M A 2.3 | Bonum certamen certavi cursum | 001743 |
| 7 | M R 2.1 | Reposita est mihi corona | 007532 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).